Brilliant cinema at the ongoing Mumbai Film Festival, raves Sukanya Verma.
'The directors of these movies to me are less like artists and more like red-pen remarkists, whose idea of a script is basically checking off the broadest of issues in the broadest possible ways: Sexism, Check. Misogyny, Check. Loving yourself, Check,' says Sreehari Nair.
'My father knows that he was not good in Parinda. He himself told me that he messed it up because he was so successful at that time with Ram Lakhan and Tezaab. He was so iconic as Munna that he tried to recreate it all the time. It is not necessarily the best thing to do.' Harshvardhan Kapoor says why he's blessed to be an actor in today's days.
'In Sanju, Rajkumar Hirani has essentially found a Rajkumar Hirani story buried inside Sanjay Dutt's life.' 'Now if you think that's scary, sample the alternative: Perhaps Sanjay Dutt had been living his life to suit the narrative of a Rajkumar Hirani film,' says Sreehari Nair.
'Pink a movie that's assembled especially for that section of prejudice-free Indians who are all on this side of the screen.' 'Look...there's virtuosity staring at you, 24 Frames per Second.' 'Soak it in; more power to the revolution, more wax to the candlelight vigils,' says Sreehari Nair.
'This colliding of worlds is a feature of chawl life in Mumbai, where the clashes in one household often become prime-time television for the neighbours; where the boundaries of good sex, lechery, and incest are frequently blurred,' says Sreehari Nair.
'If you can tell the quality of a movie-watching experience, only and only by referring to set standards, you *aren't really* going to the movies,' argues Sreehari Nair.
'There were certain ideals and morals that I had started bending as I was climbing up in the industry.' 'I was unknowingly hurting people close to me, unknowingly treating people the way I wouldn't want to be treated myself.' 'But I am not that person and I didn't start off like that.' 'Then the introspection began.' 'Very rarely does that happen when you do a film.' 'I was feeling unhappy as a person. Now I am much happier.'
Aseem Chhabra picks the scenes that left him impressed this year.
Sukanya Verma recaps all the action at this year's MAMI.
A host of lenders, including State Bank of India, IDBI Bank, Indian Bank and Andhra Bank, have lined up meetings of their asset-liability committees this week, to review their lending and deposit rates.
A big part of October's charm is in its taking of a cinematic tragedy and presenting to us how we may experience it in real life, says Sreehari Nair.
Preetisheel Singh lets us into some star secrets.
'In Vishal Bhardwaj's now fully set world of manufactured poetry, characters wear their emotions at their most prescribed anatomical positions -- courage on their chins, pride over their chests, and innocence in their faces,' observes Sreehari Nair.
Barring a Shah Rukh Khan, an Akshay Kumar or a Preity Zinta, it is near impossible for most Indians to break into Bollywood's exclusive club of star children. Hearteningly, it is still possible for Indians born in middle class homes to become star technicians like 3 Idiots director Rajkumar Hirani. Patcy N and photographer N V Reuben traveled to Raju Hirani's home town Nagpur last week to discover how his journey to directorial superstardom began.
Taking exception to Health Minister Harsh Vardhan not mentioning the death of healthcare workers due to Covid-19 in his statement in Parliament, the Indian Medical Association has published a list of 382 doctors who died due to the viral disease and demanded that they be treated as "martyrs".
